The Grand Tour

A Designer Turned a Former Mill Into a Personal Sanctuary

But not before removing all the walls
With art here there and everywhere the lounge is an art gallery come to life. Loveseats by Lee Industries provide a...
With art here, there, and everywhere, the lounge is an art gallery come to life. Loveseats by Lee Industries provide a front-row seat to a cavalcade of works, including Trisha Baga’s Monkey Reflector, a lime green painting by Ashlynn Browning, Igor Hosnedl’s I Open into Dark II, a painting by Robert’s mom (first row, middle painting), and a 1930s portrait scavenged from a local vintage shop.Anna Routh Barzin

The allure of a property is always that much more when it’s been home to somebody significant. Even if that somebody was a nondescript pig named Hamilton. “He did serve as the mascot for the local NHL team, you know,” chuckles interior designer Robert MacNeill, who insists neither Hamilton nor any of his predecessors had any influence on his and husband Paul Ingram’s decision to purchase said home in Raleigh, North Carolina’s Caraleigh Mills neighborhood.

“We came to find this unit in a roundabout way,” shares Robert, who helms Raleigh–based full-service design practice Roux MacNeill Studio alongside designer Brittany Roux. “We had set our hearts on living in Caraleigh Mills, but nothing we saw met our expectations.” What did appeal was a two-bedroom condo loft in a former mill (since converted into residential units), listed on North Carolina’s historic register, that wasn’t even on the market. “It was a home the agent owned himself, so we immediately went over to see it.” But it came with a caveat: The couple had to be willing to let the existing renter stay through to the end of his lease. It was an ask, of course, they were happy to oblige.

The living room is electrified by color, thanks to floor-to-ceiling bookshelves, a canary yellow sofa, and a blue hand-knotted wool rug from Nepal. Bradley USA’s Amoeba cocktail table takes center stage, overarched by a chandelier by Hudson Valley Lighting. The vintage Mies van der Rohe MR lounge chair was lovingly restored and reupholstered in orange velvet. “We’re not sure that Mies would have approved of the color, but we like that it’s kind of irreverent!” muses Robert, who regularly rearranges the rotten oranges, handcrafted in concrete by Álvaro Urbano, around the room, to dial up the whimsy. The blue paintings by the door are works of Olu Ogunnaike, while Michael Murphy’s Fractured Rainbow series and a trifecta of photographs by Fanny Gicquel, titled Living on the Border, enliven the wall to the right. The bright yellow artwork, made by layering wallpaper cut from an old costume store in Berlin, is by Álvaro Urbano and Petrit Halilaj.

Anna Routh Barzin

Another peep into the living room, where yellow fabric by Diane von Furstenberg, sourced from Kravet, adds a sunshine-y pop. A lamp by Thomas O’Brien for Visual Comfort and an Indian Summer Vessel vase by Gaetano Pesce share space atop the console behind the sofa.

Anna Routh Barzin

Robert and Paul’s motivation to wait stemmed from a need to be closer to Robert’s downtown design studio and live in a space with history. “As a couple with two cats, we had outgrown our 700-square-foot loft condo in downtown Durham,” avers Paul, a research scientist who shares with Robert a love of travel, being in nature, and collecting art. This home, then, with its giant windows, brick facade, pool, gym, community garden, and 14 acres of land, was a veritable oasis. The bonus? It was only five minutes from downtown Raleigh.

A vintage Eames bent plywood leg splint takes pride of place in the top right-hand-side corner. Underneath, a Nuevo Living sideboard plays host to a pair of vintage lava glaze lamps. The accent pillows wear Tigre and Lee Jofa fabrics by The House of Scalamandré and Kelly Wearstler respectively. The side tables with black Marinachi tops were designed by Robert himself.

Anna Routh Barzin

Just below the staircase is a space for meditation and musing. The chair is a vintage Adrian Pearsall design. Todd Gray’s Green to Gold, containing two archival pigment prints, enhances the wall. Atop the book stack is a plaster sculpture of Robert’s own design.

Anna Routh Barzin

Beautiful as it was, the home had room for updates. After all, for a family of two humans and two cats, two bedrooms seemed excessive, especially when the living and dining areas were so pinched for space. To Robert and Paul, the solution was obvious—get rid of the walls altogether. Surely that would blur the line between the private and common areas, and create enough square footage to go around. The move turned out to be golden, enabling the couple to carve out a little lounge (in place of the original living room), plus a separate living room twice the size of the original, achieved by eliminating one bedroom. “The combined space is about one-third of the total footprint. That’s a good amount of seating for a condo so small,” enthuses Robert, who converted the metal loft above the remaining bedroom into an idyllic, semi-open guest nook.

The couple doesn't yet have a dining table, but they do have a designated dining area. “The vintage mid-century cabinet serves as our bar. Currently, we’re enjoying all the extra open space!” says Robert. The wall is a pastiche of eclectic art. From left to right is Dolly Parton fan art, displayed one above the other; a mixed-media creation by Tom Burr, and below it, an untitled drawing by Doron Langberg; a Jon Rollins canvas titled VI: It’s been a long time, ooh, let me get it back; a column of photographs by Paul Sepuya; and Yoko Ono’s Imagine Peace print. A custom-painted shade by Michael Murphy crowns the Visual Comfort lamp.

Anna Routh Barzin

Robert, with help from Provision Building Company, made some impressive updates to the kitchen. Because of the open plan and proximity to the bedroom and living spaces, it was necessary for the appliances, all Wolf and Sub-Zero, to be fully integrated into the cabinets and hidden with panel fronts matching the cabinetry. The plumbing was executed by Rohl, while Xylem, a local business, was tapped for the fabrication of the cabinets. The veneer and countertops are by Abet Laminati and Caesarstone respectively. A deep blue backsplash by FireClay gives the space a soothing air.

Anna Routh Barzin

The reorientation afforded the opportunity to bring in bold colors, considered textures, and layers of light. As art collectors, the couple also had more places to display their art, because, as they like to say, “We hang art anywhere we can find a spot.” That said, they exercised restraint with furniture, choosing to buy pieces only to fill in the gaps. “We got rid of very little when we moved from our previous place, and wanted to use what we had as far as possible. Sourcing anew was like trying to find the missing pieces of a very fun puzzle,” says Paul. Some pieces, of course, were more challenging to bring in than others—the yellow living room sofa, a fitting example. “It was the perfect addition—until we tried hauling it in through the front door. We ultimately had to screw off the hinges to get it inside,” laughs Robert.

The music nook is as much a treat for the eyes as the ears, thanks to artworks spread out in every possible direction. Artists and photographers on display include Daphne Arthur, Michael Murphy, Jason Pickelman, Bernard Williams, Darrell Roberts, Olu Ogunnaike, Zoe Strauss, and Nan Goldin. The chair is a Thayer Coggin novelty. A stool by Thomas O’Brien of Aero Studios, sourced from Century Furniture, sits under the piano.

Anna Routh Barzin

The couple agrees that the home was worth the wait. “Our favorite thing about it is its history. Nothing about the building was made in an intentionally decorative way. We consider it a playground where we can experiment with design but not find ourselves bound by a previous style,” notes Robert. These days, he and Paul find as much joy inside the home as outside it. With restaurants, parks, and the state farmer’s market all within walking distance, there’s always something to do or see. It’s a season of life where everything feels just right.

The primary bedroom has no windows, but still feels very open because it no longer shares a wall with the kitchen. “It feels really cozy to us,” says Paul. The District Eight bed, underpinned by a vintage Moroccan rug and flanked by Artemide sconces, cuts an understated figure. A photograph by Zoe Strauss highlights one wall, while a Fanny Gicquel metal sculpture emblazons another. A spiral staircase leads up to the loft.

Anna Routh Barzin

The loft above the primary bedroom has an easy-breezy vibe. “Admittedly, it offers very little privacy; it’s kind of like a sleepover when someone stays with us, which can be fun! I guess that’s the tradeoff for having a space so open,” smiles Robert. Diminutive Pablo Pardo Piccola table lamps sit precariously on nightstands by Olivya Stone, highlighting the Andrew Emond photographs above. Blu Dot was the brand of choice for the bed. The vintage Moroccan shag rug is a souvenir from Marrakech, but most precious of all is the wall map of Chicago, inherited from Paul’s great grandfather. “He used to be a postal worker in the city. The map still has all his little notes from all those years ago,” Paul shares.

Anna Routh Barzin